From $89
This canvas is printed in five sizes, 16x12 up to 60x40, sold unframed or with a black frame added.
A profile emerges from fast moving brushwork in orange and deep crimson, cut here and there with sudden bursts of teal, while genuine gold leaf marks the eyelid, cheek, and lips in spots built to catch ambient light. Everything stays loose, the features nearly dissolving back into color, which gives the piece a quiet, inward mood. It reads best with a little clear space around it, an open living room stretch or a quiet lounge nook rather than a crowded gallery wall.
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Printed on archival-grade, poly-cotton blend canvas with fade-resistant inks rated to hold color for 75+ years. Gallery-wrapped and ready to hang straight out of the box.
Available in five sizes per orientation, from 12x16 up to 40x60 inches, as a 1.25 inch canvas wrap or with a black floating frame.
Free U.S. shipping on all orders. Printed and shipped from U.S.-based facilities. Most orders arrive within 5 to 10 business days.
Fast strokes of orange and deep crimson build a profile out of raw pigment, broken by sudden flashes of teal that keep the color from settling into one temperature. Gold leaf marks the eyelid, cheek, and mouth, spots chosen specifically because they catch light differently than flat paint.
An orange and crimson face canvas for lounges like this one needs some breathing room on the wall to read properly, rather than being crowded by other pieces. As teal accent portrait wall art for living rooms, it plays especially well against dark paint or brass fixtures. See more pattern and color pairing ideas in our guide to mixing patterns and art.
Yes, gold leaf is applied along the eyelid, cheekbone, and lips as part of the printed design, giving those areas a different texture and light response than the surrounding painted brushwork.
An open living room stretch or a lounge corner works well, since the warm palette plays nicely against dark walls or brass and gold accents nearby. It needs some open space to really land.
The features stay loose and partly abstracted rather than fully defined, so it reads as art first and portrait second. Fast brushwork and the gold leaf carry more of the visual weight than fine linework.
